In my time, I’ve written a few horror movies. The whole point of a horror movie, of course, is the monster. Good monsters endure, bad ones get forgotten instantly. I’ve written for a few “good” monsters — Freddy Krueger, for instance (I co-wrote a bunch of episodes of the “Freddy’s Nightmares” syndicated TV series back in the early 1990’s). Freddy, of course, is a great monster. Great mythology. Great character nuances (which, in a monster, are pure gold). I co-wrote “Children Of The Corn II: Deadly Harvest”. That was a crap monster, that one. Vague and mealy-mouthed (corn-meal of course). I also had a hand in the very good monster in “Tales From The Crypt Presents Demon Knight”, the first Tales feature film. Billy Zane gets full credit for turning what was, on the page, a pedestrian monster into what was, on the screen, a very good monster: fun, funny yet nasty & believably vicious. Then there was Lilith — the monster of “Tales From The Crypt Presents Bordello Of Blood” — a good idea for a good monster that got turned into a pedestrian idea for a monster because if you cast a movie for all the wrong reasons, you’ll screw up your movie. I worked with the “Walking Dead” team (briefly) when they tried to turn their show into an interactive arena event so I speak fluent “zombie”. While working on Tales From The Crypt, one of my bosses was Richard Donner, the director of horror classic “The Omen” whose wisdom about good monsters I drank like the finest, Jim Jones-iest kool aid. Yeah… I know a thing or two about monsters. And We The People have one right in our faces: The Franken-Christian!
How else to explain the mind-bending trip from “Do unto others” to this — the above picture. Or this —
What’s a non-Christian to make of American Christianity when it paints itself the way it paints itself? There’s no Jesus in any of this whatsoever. And yet, THIS monster has what it claims is Jesus’s face. Reminds me of a really good “Tales” episode directed by a talented guy named Bill Malone and starring a really terrific actress named Sherrie Rose: “Only Skin Deep”. A confident alpha male picks up a mysterious, masked woman named Molly at a costume party. Goes back to her place (in a funky warehouse space) where they have great sex — except she never takes off her weird mask. As the confident alpha male will learn, that “mask” is the face of Molly’s last lover — and she’ll be wearing HIS face when she goes out to party next time.
Molly was a very, very good monster.
Maybe the problem with too many American Christians is that they don’t celebrate Jesus’s life nearly as much as they celebrate his death. They’re less interested in “doing unto others” than they are in the ooga-booga and magical thinking that the Apostle Paul created out of whole cloth as he took his version of Jesus — and Jesus’s teaching — out to the Gentile world. The Jews rejected Paul’s version of Jesus because many of them, unlike Paul, had actually MET Jesus and heard him teach. Also — the Jews knew their mythology and knew that what Paul was trying to do with it simply didn’t conform to their understanding of it. Paul had little use for a living Jesus. He would have had no use for a Jesus who lived to a ripe old age and died in his bed, surrounded by loved ones. Paul needed a Jesus who was dead but (most importantly) who ROSE from the dead. Paul needed a Jesus who beat death as the basis for the church he imagined. It’s a genius invention — but that is what is: an invention. Jesus has nothing to do with it.
Ah, but “Franken-Jesus” does. Put together from disconnected parts, the Franken-Jesus preaches “do unto others” while practicing no such thing.
His followers, by design, are all Franken-Christians. They worship the falsest of idols.
And thus, the horror movie of American life fades in…