By all rights, a left wing loon like me should detest Nicolle Wallace from a thousand miles away. But I adore her. I adore her show, Deadline White House on MSNBC. If you aren’t watching it or listening to it, you’re missing one of the few bright spots in the American News Media firmament — I’m also a Maddow fan, a Lawrence fan, a Joy-Ann Reid fan, an Ali Velshi fan and mostly an Ari Melber fan).
A good news show should be redolent of its host. Bad news shows work the same way of course. Meet The Press Daily is dopey as hell regardless of whether or not Chuck Todd is actually hosting it. I won’t go off on Chuck here — this ain’t about him). Accordingly, Deadline White House seems to flow directly from host Nicolle Wallace’s id.
Before she scored her own show, Nicolle co-hosted a season of ABC talk show The View. Before that she was GWBush’s White House Communications Director then served as a senior advisor for John McCain’s 2008 presidential campaign — tasked with handling Sarah Palin. She appeared frequently on network and cable news programs as the campaign’s spokesperson and defender. Nicolle has solid Orange County Republican bona fides.
I used to have family down in Orange County. I used to feel — driving down to San Clemente to visit — like we were driving into a strange foreign country with distorted values. That’s how different Republican Orange County felt from Democratic LA. On paper, I should watch Nicolle’s show the way I watch, say Alex Witt or Chuck Todd — with teeth gritted (Alex because she’s so mediocre, Chuck because he’s such a “Both Sides Do It” douche nozzle).
In 2016, Nicolle quit the Republican Party as it went Trumpian. Either the leap spurred something in her or she was always a softer version of an Orange County Republican.
Watching her show these days, if you didn’t know Nicolle’s past — deep in the Republican core — you’d be shocked to learn about it. She sounds so much like… like me. Yes, I’ll own it — I like Nicolle Wallace & her show because I agree with them. But I agree with the politics on a lot of MSNBC’s shows. Strangely, I rarely feel as justified after watching those shows. After watching Deadline White House, I often feel even more justified in my left wing loonie position than when I started.
That’s because Nicolle’s bottom line is receipts. Ya gotta bring receipts. Nicolle’s view of the news and the news landscape is fact-based, not feeling-based. Years of watching her convince me that this matter-of-fact, limited melodrama, relentlessly honest worldview reflects who she is down to her toes. The discussions are almost always smart, informed, savvy, clear-eyed and fearless.
And when it comes to pillorying Donald Trump and every Trumpanista, no one delivers a clean kill the way Nicolle does. She shies away from playing too much Trump on her show. But, when she does and the camera returns to Nicolle’s face — wow.
Sometimes there’s a laugh. It’s so particular, that laugh. It’s the laugh of a woman who knows she’s just had a man bullshit her. It skewers all by itself. But throw in Nicolle’s laser-like eyes — she’s good on camera, too — and you’ve got something that crosses rock solid news analysis with poetry.