First things first. Journalists are storytellers. News is a story about what’s happening (theoretically out here in reality) right here, right now. As news anchors all over the world put it as they start yakking — “Here’s what’s happening now“.

Then they proceed to tell you the story.

Except way too many journalists are piss-poor at telling stories. Well… let me be fair — I don’t know how good or bad they are at telling stories in general; what I know is they’re piss poor at telling the “Donald Trump Is A Traitor” story. They don’t know how to approach it, let alone “tell” it.

It seems odd, doesn’t it, that professional storytellers would be so incapacitated by the greatest story they’ll ever get to tell? It starts with their forgetting that THEY’RE storytellers to begin with — albeit storytellers reliant on their sources. But how storytellers approach a source is different than how a storytellee approaches a source. Storytellees don’t have sources.

Let me go a little deeper. When I set out to write a story, I need as much control over as much of the story I can get — so I can FRAME IT the way I want to. I want to frame the story one way vs another because facts are not generic. In and of themselves, facts are independent things. String a bunch of facts together, connect the dots in other words, and those facts paint a picture. Or they present a mosaic-like image, if you prefer.

A storyteller — in composing that mosaic — needs to make choices. Some facts belong and others either don’t belong (they’re not relevant to THIS mosaic) or they aren’t facts. They’re bullshit or too unsubstantiated to have value — so, therefore, don’t make the cut. A storyteller needs to have this sorting process at work constantly in their minds — especially as they’re doing their research. They need to be hyper-critical.

Storytellees, by comparison, are there to soak it all in. Unless a fact or detail strays too far outside their own experiences of life and people, they’re happy to accept it as part of the storytelling. They’re there to listen (critically, one hopes), not story-tell.

Something bizarre happens however when Storytellers fail to act like storytellers and act like storytellees instead. Because they’ve turned their critical faculties off (aside from that last fail-safe one when a story’s details fail to pass any smell test whatsoever), they miss essential details any storyteller relies on. They lose perspective — and therefore any ability to successfully tell that story. You cannot accurately describe what you cannot actually see (one way or another).

The perfect example of the storyteller turned storytellee is NBC’s reporter Kelly O’Donnell. I’m sure Kelly’s a lovely person. That’s not the question. She’s far too credulous — like a storytellee. Watch virtually any Kelly O’Donnell stand-up and, aside from her professional demeanor, all she’s ever doing is repeating back what “her sources” told her.

I bet Kelly’s sources go to her as often as Kelly goes to them. That would mean (if I’m right) that Kelly’s sources are using her as much as Kelly’s “using them”. What Kelly doesn’t get though about this set-up: Kelly’s purpose is “information transmission”, her source’s purpose is “message control”. Without that context, Kelly’s information SOUNDS neutral (Kelly’s intent) while not actually being neutral at all — it’s one-sided. But Kelly has failed to report that fact.

WHY?

In Kelly’s defense (and — bending over backwards to be fair here — it applies to a whole bunch of other reporters across multiple news networks) Kelly has lost sight of how her sources are using her; she’s been too busy patting herself on the back for having sources to begin with. To get those sources, Kelly agreed to put whatever critical faculties she has on hold. She’s agreed to not question their veracity or motives. She’s agreed to not question their information — regardless of how true, false or politically motivated it is.

Kelly has followed the Judith Miller Paradigm to a “T”.

Quick digression — Judith Miller:

Judith Miller worked in The New York Times‘ Washington bureau before joining Fox News in 2008. While at the Times, she gained notoriety for her coverage of Iraq’s Weapons of Mass Destruction (WMD) program both before and after the 2003 invasion, which was later discovered to have been based on inaccurate information from the intelligence community. The New York Times determined that several stories she wrote about Iraq were inaccurate, and she was forced to resign from the paper in 2005.

Miller herself refused to accept any responsibility. Her defense: It wasn’t her responsibility to “critique” the information she was passing between her “inside sources” and the American public, it was her responsibility to just “pass it along” all steno pool like. Miller’s “lackadaisical” approach to journalistic integrity killed her reputation deader than dead. She’s now a fellow at the conservative Manhattan Institute For Public Policy — carrying water for them full time. At least Judith finally is plying her trade on the up-and-up.

Miller’s willingness to trade access to Dick Cheney for her integrity had an even consequence. Miller actively took part in Dick Cheney & Scooter Libby’s deliberate outing of Valerie Plame as CIA. Miller spent 85 days in jail for refusing to reveal that her source in the Plame Affair was Scooter Libby.  The fact that Libby was doing something stunningly illegal — its political motivation crayoned all over its giant sleeve — was, apparently, irrelevant to Miller.

It wasn’t her “responsibility”, I guess, to tell THE TRUTH. It was her “responsibility” to tell Dick Cheney & Scooter Libby’s “truth” regardless of how untruthful it was.

The process of Judith Miller-ing news gathering — of sacrificing integrity for access is the crux of the problem. It’s what causes storytellers to become storytellees instead. The moment they go critical-faculty-free for access, they put their storytelling into a near-permanent cocoon-like stasis.

If not for the fact that journalism is the only job mentioned in the Constitution — it’s obligated to be the final check on political power — none of this would matter. But journalism IS mentioned in the Constitution and it IS purposed with this very high mission. If you don’t want to do the mission, what the hell are you doing in journalism? If you don’t want to be an actual storyteller, please — let us know now. Our future depends on it.